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Thomas Stremfel
All content by Thomas Stremfel
Isaac Dunbar’s ‘evil twin’ EP is fun if not derivative
February 25, 2021
‘TYRON’ proves that Slowthai is here to stay
February 18, 2021
Weezer gets existential on ‘OK Human’
February 2, 2021
Miley Cyrus looks to the past to reinvent herself today
December 5, 2020
It’s cold out, here’s some songs to listen to until it’s not.
November 23, 2020
On the Camp Fire’s second anniversary, Paradise looks to a brighter future with ‘The Hope of Daffodils’
November 18, 2020
Small town boy on the world stage: An exclusive with Dutch pop artist Duncan Laurence
November 14, 2020
Ariana Grande is switching up positions, but it feels stale
November 4, 2020
Living Room Gallery provides a new platform for local artists
October 30, 2020
Gorillaz’s ‘Song Machine’ is the perfect summer playlist—in the middle of October
October 29, 2020
Open Mike Eagle is in a slump, but his music isn’t
October 21, 2020
Chico artist B3Nii is bringing the party to the people
October 19, 2020
‘Savage Mode II’ lost focus on the original concept, and that isn’t a bad thing.
October 8, 2020
The Neighbourhood’s new album introduces Chip Chrome, but we still don’t know who he is.
October 2, 2020
Armani Caesar’s “The Liz” is a concise expression of what Griselda does best
September 23, 2020
The Netflix original that’s breaking the internet doesn’t have much to offer
September 15, 2020
Dirty Projectors’ “Super João”: Longstreth and Co. continue their EP hotstreak
September 10, 2020
Angel Olsen’s “Whole New Mess”: Distress, Recontextualized
September 4, 2020
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Thomas Stremfel
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