Navigate Left
  • Photo taken by Molly Myers on Sept. 3, 2023 downtown across from where the Farmers Market is held.

    Features

    Abandoned shoes in Chico: photo series

  • Left side of table, Jenna McMahon, Nathan Chiochios and Jessica Miller sit with, on the right side front to back, Callum Standish, Molly Myers, Nadia Hill, and Grace Stark at  Estom Jamani Dining Commons. Photo taken April 29 by a kind employee at the dining hall.

    Food

    The Orion tries the dining hall

  • Both faculty members’ and students’ mental health are suffering due to a lack of support at Chico State and across the California State University System. Photo by Vie Studio on Pexels.

    Features

    Faculty, students’ mental health continue to suffer

  • Thanks to horror films, some names have been ruined ... or made cool. Photo by Jeswin Thomas from Pexels.

    Arts & Entertainment

    Names horror films have ruined … or made cool

  • Sydney Sweeney in Immaculate. Photo courtesy of NEON.

    Arts & Entertainment

    He said, she said: ‘Immaculate’

Navigate Right
Breaking News
Chico State's independent student newspaper

The Orion

Chico State's independent student newspaper

The Orion

Chico State's independent student newspaper

The Orion

‘IT: Chapter Two’ flawed, but entertaining

Bill+Skarsg%C3%A5rd+plays+as+Pennywise+the+Dancing+Clown%2C+a+cosmic+evil+entity+that+terrorizes+and+hunts+the+children+of+Derry%2C+Maine.+%0A%0AIT%3A+Chapter+Two+official+website+photo
Bill Skarsgård plays as Pennywise the Dancing Clown, a cosmic evil entity that terrorizes and hunts the children of Derry, Maine. “IT: Chapter Two” official website photo

Though it may not have been as captivating as the first film, “IT: Chapter Two” brings a lot to the table, both in visual aesthetics and in narrative.

https://youtu.be/H1xsCipXetg

The film begins 27 years after the events of the first film. Pennywise the Dancing Clown, a.k.a IT, returns to Derry, Maine, where he begins hunting and devouring children. Mike Hanlon (Isaiah Mustafa), the only member of the Losers’ Club who stayed in Derry after adolescence, contacts the rest of the Losers, informing them that It has returned, reminding them of their pact that if It ever returned, they would return to Derry to defeat it.

First and foremost, I want to admit that I enjoyed the first film more than I enjoyed this one. The storytelling, acting and general creepy eeriness was superior to this sequel. However, that’s not to say that this film does not have value.

I felt the casting of this film was perfect. Though I don’t think anyone delivered a noteworthy performance, the adult actors were fully capable of capturing the essence of their younger counterparts from the previous film, both in physical appearances and demeanors.

Bill Hader’s performance of an older Richie Tozier, for example, perfectly complimented Finn Wolfhard’s performance of a younger Richie because both Hader and Wolfhard were able to deliver vulgar, humorous yet captivating performances.

Hader’s performance as a comic relief throughout the film not only complimented the film, but alleviated a lot of the film’s tension, delivering a nice balance between comedy and horror. Of course, Hader’s comedic abilities come at no surprise considering his continued success on Saturday Night Live.

What I really admired most about the film was its use of surrealism, specifically during the “scarier” scenes of the film.

This film did not hold back, in terms of grotesque visuals.

The use of brutal visuals complimented this film in its desire to deliver a creepy aesthetic that resonated throughout the film. This was especially prevalent during the more gruesome scenes … of which I’ll dive more into detail in the spoilers’ section.

SPOILERS

The murder and death of children is something not often seen in contemporary horror. When it is seen, it’s often poorly executed and, therefore, less effective.

The only instance in which I can recall the death of a child leaving this reporter with an immense sense of dread was in Ari Aster’s debut film, “Hereditary.” However, “IT: Chapter Two” does not hold back. In this film, we see two full, brutal death scenes of Pennywise murdering children.

In one, we see an older Bill Denbrough (James McAvoy) attempt to save a young boy from Pennywise inside of a mirror maze. Not only does Bill fail to save the boy, he has to witness Pennywise kill the boy in gruesome fashion.

This type of visual brutality is not seen often enough in horror, be it because directors are too scared to go into that direction, or that they are simply too lazy (looking at you Pet Sematary). However, I think it paid off well in this film.

In another scene, we see Pennywise lure a little girl at a high school baseball game under the bleachers. What was scary, and even gut-wrenching, about this scene was not how Pennywise killed the girl, but how he lured her in the first place: Pennywise used emotionally manipulative tactics, sympathizing with her physical insecurities and revealing his own “insecurities.” These terrifying, manipulative methods truly displayed how evil and relentless Pennywise is when hunting children.

END SPOILERS

Though I can’t say that this film is a perfect adaption of the acclaimed novel, its use of visual horror and Pennywise’s character development really delivers and captures the dark tone that one might feel when reading the novel.

While I’ve listed the positive aspects of this film, “IT: Chapter Two” does have its share of shortcomings; specifically in the end.

I was not a fan of the melodramatic ending. I, for one, revile melodrama to begin with. I rarely ever see it done well in contemporary, mainstream cinema. I won’t say what or how the film ends, but I will say that if there is one word that can best describe the ending sequence, it’s “cheesy.”

Nonetheless, even with its flaws, I still thoroughly enjoyed “IT: Chapter Two” and recommend it to anyone who’s a fan of Stephen King or a fan of decent horror flicks.

Rating: 3.5/5 stars

Angel Ortega can be reached at [email protected] and @AngelOrtegaNews on Twitter.

Leave a Comment
More to Discover
About the Contributor
Angel Ortega, A&E Editor
Angel Ortega is a journalism-news major with a minor in cinema studies. Angel has been on the Orion for four years, serving as both a staff writer and arts & entertainment editor. He enjoys writing artist profiles and film reviews. When he’s not working for the Orion, you can find him at a concert or music festival.

Comments (0)

All The Orion Picks Reader Picks Sort: Newest

Your email address will not be published. Required fields are marked *